"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Then, upon my honor, it's only you who make it so!" Her perversity was distinctly too much for him. "I mean you make it so by the way you keep me off."!

"I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "It was fortunate for you," said Fleda, "that she's apparently not aware of the manner in which, almost under her nose, you advertised me to him at Poynton."

"Put the place as it was." In his offhand way he added: "You know what I mean!" "I did tell you to let yourself go, but it's clear enough that you really haven't," Mrs. Gereth declared. "If Mona has got him—" She had at that moment turned away from this solution, precisely because she saw in it the great chance of her secret. If she should determine him to adopt it she might put out her hand and take him. It would shut in Mrs. Gereth's face the open door of surrender: she would flare up and fight, flying the flag of a passionate, an heroic defense. The case would obviously go against her, but the proceedings would last longer than Mona's patience or Owen's propriety. With a formal rupture he would be at large; and she had only to tighten her fingers round the string that would raise the curtain on that scene. "You tell me you 'say' you love her, but is there nothing more in it than your saying so? You wouldn't say so, would you, if it's not true? What in the world has become, in so short a time, of the affection that led to your engagement?"